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Introducing the MWL-1

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NA-C200 Buildout

Everything you need to get your C200 rig ready for...

Fuji GFX 50S Medium Format

In the past when we discussed medium format cameras we typically...

NA-RX100VI: Komodo and Whalesharks

The Sony RX100 Mark VI features a significant departure from...

First Impressions of the Nauticam Wide Angle Conversion Port (WACP)

By: Henley Spiers The Nauticam Wide Angle Conversion Port (abbreviated...

Get the Shot! Motion Spin

By: Todd WinnerThe spin shot is one of the easier...

WACP on Sony!

By: Todd Winner Images by: Todd Winner and Mike Brock...

Super Macro Converters

Alex Tattersall, showcasing the Nauticam Super Macro Convertors. Nudibranch feeding...

Adobe Premiere Pro CC | Canon Cinema RAW Light Support Added

Good news for Canon C200 shooters, Adobe Premiere Pro CC...

Get the Shot! Shallow depth of Field

By: Todd WinnerOne way to make your images stand out...

Learn: Vacuum Valves

By: Todd Winner Most Nauticam housings ship with the electronics...

Learn: Enhanced Viewfinders

By: Todd WinnerNothing beats the view from an enhanced viewfinder!...

NA-C200 and WACP | First Look

Canon's C200 Super-35 format 4K cinema camera is touted as...

Wide Angle Conversion Port

By: Todd Winner The 0.36x Wide Angle Conversion Port (WACP)...

Choosing the Right Dome

By: Todd Winner There are a lot of decisions when...

Get the Shot! Macro Blue Background

By: Todd WinnerThe blue background macro shot is very similar...

Canon EF 11-24mm f/4L USM Lens Support

The Canon EF 11-24 f/4L USM is an incredible lens, both...

Get the Shot! Silhouettes

By: Todd Winner Underwater silhouettes are easy to achieve and...

SUPER MACRO CONVERTER 2

SUPER MACRO CONVERTER 2 The Super Macro Converter, (SMC-1) and...

Get the Shot! Macro Black Background

By: Todd Winner   The black background macro shot is...

SUPER MACRO CONVERTER 1

By: Todd Winner SUPER MACRO CONVERTER 1 The Super Macro...

Komodo in 4K | NA-GX8

text and video by Hergen Spalink The combination of the...